I knew that I wanted to write something regarding the untimely loss about Chadwick Boseman, but the struggle came in the form of figuring out what to contribute that hasn’t already been said. After a while though, for me, it ultimately came down to the exploration of actors who died well before their time, and are forever commemorated for their storytelling in the more significant roles they played. Continue reading “Long Live the King: Recommended Reading… and Remembering”
Do you know what a spec script is? For those who don’t know, a spec (short for speculative script) is a non-commissioned script, written with the intent of either having it optioned by a production company or give light to an up-and-coming screenwriter and what they’re capable of. When you’re writing a spec for TV, it’s usually for a show that is currently on the air.
In the past, I’ve talked about my thoughts and aspirations to write for already established universes. Since then, I’ve actually gotten to do so in the form of specs, and I can assure you that it has been quite an education for me. Continue reading “When Writing in Other People’s Universes”
James Hong. It’s a name you might or might not be familiar with, but without a doubt, you’ve seen one (if not more) of the projects he’s been in over his several decades’ long career. Continue reading “The Man of Many Stories: Recommended Reading and Donating”
Every now and then, I expand my dialogue about storytelling by going beyond the boundaries of books and out into the mediums of TV and film. I do so by doing these analysis pieces once in a while about a TV show or film that has reached a significant time in its history (i.e. series premiere, series finale, film release, anniversary of a release, etc.). Previously, I did an analysis on Stargirl; a Disney+ original film based on Jerry Spinelli’s YA novel of the same name. Today, I explore another film that was exclusively released on Disney+, although originally, it wasn’t supposed to be, as I give a glimpse at the recording of the original Broadway cast of Lin-Manuel Miranda’s “Hamilton.”
It has now been a week since I experienced my first film festival screening as a screenwriter. It was part of the fourth volume of unKonference; an event organized by San Francisco artist Kristian Kabuay. It’s a participant driven event that avoids a lot of what comes with a conference like entrance fees and academic institutions. It’s all a way to make space for discussions, particularly within the Filipino American community. Continue reading “A Look Back at My First Film Festival Screening”
When was the last time I did a spotlight on two major announcements for my weekly Saturday blog post? That would have to be back at the beginning of August 2018 a.k.a. “simpler times.” To think that I would have some big announcements to make in the midst of a pandemic might sound kind of odd, and yet that’s exactly what is happening today. So here it goes: Continue reading “A Film Festival Screening and A Zoom Play”
Every now and then, I expand my dialogue about storytelling by going beyond the boundaries of books and out into the mediums of TV and film. I do so by doing these analysis pieces once in a while about a TV show or film that has reached a significant time in its history (i.e. series premiere, series finale, film release, anniversary of a release, etc.). Previously, I marked the end of an era with a look back on the ABC series, “Fresh Off the Boat.” Today, to mark its premiere from yesterday, I dive into the world of Disney+ original content for the first time, as I provide my thoughts on the film, “Stargirl.”
(WARNING: There will be spoilers from the film, not so much on the plot specifically, but more so on the changes and additions that have been made from the book it is based on.)
Within recent years, I’ve begun acting on another goal of mine as a writer, which is the goal of becoming a screenwriter. Since then, I’ve done quite a bit of it; from spec scripts to my first feature-length screenplay. However, so far, none of this body of writing has materialized into being something that can be experienced onscreen.
Well, that all changes today. In collaboration with Asiatic Productions, I am please to announce that my first screenplay to have been successfully produced as a film, “Breath of Writing,” is now available for viewing.
Every now and then, I expand my dialogue about storytelling by going beyond the boundaries of books and out into the mediums of TV and film. I do so by doing these analysis pieces once in a while about a TV show or film that has reached a significant time in its history (i.e. series premiere, series finale, film release, anniversary of a release, etc.).
Five years ago, I started doing these various analyses on different TV shows and films of the past and present that have been part of my life to some capacity, and that all started with the ABC series, “Fresh Off the Boat;” the first sitcom in over 20 years to center on an Asian American family. Today, following its series finale last night, I am using this time to look back on its evolution over the last six seasons, and how the media landscape has changed along the way.
(WARNING: There will be minor spoilers from throughout the series, including last night’s finale.) Continue reading “The End of an Era for a Forever Historical Show: About “Fresh Off the Boat””
A year ago, I blogged the day before last year’s Academy Awards, in speculation of what’s to come from that year’s ceremony. This time around, I’m coming to you nearly a week after this year’s ceremony, and I feel surprisingly rejuvenated from both that and some recent events in my life and beyond. Continue reading “A Time for Filmmaking”