It has now been a week since I experienced my first film festival screening as a screenwriter. It was part of the fourth volume of unKonference; an event organized by San Francisco artist Kristian Kabuay. It’s a participant driven event that avoids a lot of what comes with a conference like entrance fees and academic institutions. It’s all a way to make space for discussions, particularly within the Filipino American community. Continue reading “A Look Back at My First Film Festival Screening”
When was the last time I did a spotlight on two major announcements for my weekly Saturday blog post? That would have to be back at the beginning of August 2018 a.k.a. “simpler times.” To think that I would have some big announcements to make in the midst of a pandemic might sound kind of odd, and yet that’s exactly what is happening today. So here it goes: Continue reading “A Film Festival Screening and A Zoom Play”
Every now and then, I expand my dialogue about storytelling by going beyond the boundaries of books and out into the mediums of TV and film. I do so by doing these analysis pieces once in a while about a TV show or film that has reached a significant time in its history (i.e. series premiere, series finale, film release, anniversary of a release, etc.). Previously, I marked the end of an era with a look back on the ABC series, “Fresh Off the Boat.” Today, to mark its premiere from yesterday, I dive into the world of Disney+ original content for the first time, as I provide my thoughts on the film, “Stargirl.”
(WARNING: There will be spoilers from the film, not so much on the plot specifically, but more so on the changes and additions that have been made from the book it is based on.)
Within recent years, I’ve begun acting on another goal of mine as a writer, which is the goal of becoming a screenwriter. Since then, I’ve done quite a bit of it; from spec scripts to my first feature-length screenplay. However, so far, none of this body of writing has materialized into being something that can be experienced onscreen.
Well, that all changes today. In collaboration with Asiatic Productions, I am please to announce that my first screenplay to have been successfully produced as a film, “Breath of Writing,” is now available for viewing.
Every now and then, I expand my dialogue about storytelling by going beyond the boundaries of books and out into the mediums of TV and film. I do so by doing these analysis pieces once in a while about a TV show or film that has reached a significant time in its history (i.e. series premiere, series finale, film release, anniversary of a release, etc.).
Five years ago, I started doing these various analyses on different TV shows and films of the past and present that have been part of my life to some capacity, and that all started with the ABC series, “Fresh Off the Boat;” the first sitcom in over 20 years to center on an Asian American family. Today, following its series finale last night, I am using this time to look back on its evolution over the last six seasons, and how the media landscape has changed along the way.
(WARNING: There will be minor spoilers from throughout the series, including last night’s finale.) Continue reading “The End of an Era for a Forever Historical Show: About “Fresh Off the Boat””
A year ago, I blogged the day before last year’s Academy Awards, in speculation of what’s to come from that year’s ceremony. This time around, I’m coming to you nearly a week after this year’s ceremony, and I feel surprisingly rejuvenated from both that and some recent events in my life and beyond. Continue reading “A Time for Filmmaking”
The nominations for the 92nd Academy Awards were announced earlier this week, and I’ll be frank when I say that a number of the people and films whose names are on the list this year I’m both disappointed about and don’t really care for either. One of those films is “Marriage Story;” a film that I, surprisingly, have seen. But ever since “The Rise of Skywalker,” I now see Adam Driver in a new light, which led me to watching this now Oscar-nominated film.
Overall, I’m indifferent about it, and yet within that span of time, I somehow came across the title of another film Driver did a few years ago called “Paterson.” Intrigued by the trailer, I decided to check it out from the library. I’ve since watched it twice and now, I want to make it the first featured material for Recommended Analyzing for the year. Continue reading “An Exploration of Thought and Poetry: Recommended Viewing”
It happened again this week. I mean, I guess it would make sense for why I’ve been asked about this more than once by now. When your day job oversees funding, distributing, and occasionally producing films (and a film festival), I can see how it would only be natural one would ask if you have any filmmaking aspirations of your own. So when a visitor asked if I am a filmmaker, I said no, but I did say that I am a screenwriter. He argued in saying that a screenwriter is a type of a filmmaker. But is it? Continue reading “Thoughts About Identifying as a Filmmaker”
Every now and then, I expand my dialogue about storytelling by going beyond the boundaries of books and out into the mediums of TV and film. I do so by doing these analysis pieces once in a while about a TV show or film that has reached a significant time in its history (i.e. series premiere, series finale, film release, anniversary of a release, etc.). Previously, I shared my thoughts about the beloved Studio Ghibli film, “Kiki’s Delivery Service.” Today, to commemorate the final entry into the Skywalker saga, I shall discuss my latest takeaways from this beloved space opera, “Star Wars.“
WARNING: There will be SPOILERS from “The Rise of Skywalker.” Stop reading now if you haven’t seen the film yet and do not want it spoiled for you. Continue reading “Legacies, Individuality, and Hope: About “Star Wars””