I haven’t spoken too much about the progress for my third novel. It’s been almost a year since work began on it and the writing process began over four months ago. But things haven’t been moving as swiftly along as they could be, and as of this month, I think I understand the reason why. Continue reading
A lot of craziness has been going throughout this year, but it feels like this month in particular has really been chalked full of full-on craziness. Part of me wishes that I had taken a hiatus from blogging this month. But then when something like the #metoo movement starts up, I then realize it’s crucial for me as a writer to shed some light on the topic. Continue reading
“Hamilton” fans will recognize this line from the final song of the musical: “Who lives, who dies, who tells your story?” It’s repeated several times throughout the song, to emphasize on a very strong point: How do you want your legacy to look like? How do you want to be remembered, if at all? What contribution do you want to leave in this world when you are long gone? Continue reading
So this is an atypical blog post from what I would normally write on a Saturday, but due to another week that kept me occupied more so than usual, I didn’t have too many moments to contemplate a topic for the week. That’s why I figured that today would be wise to do the following: Continue reading
In the midst of “Stories High” coming to an end, along with a number of time-consuming moments throughout the past week, figuring out a topic for this week’s post proved to be a challenge. In turn, it wound up being a blessing in disguise, for it gives me an excuse to provide another Recommended Analyzing piece.
In a past blog post, I had recommended listening to an episode from the Bruce Lee Podcast; a podcast co-hosted by Shannon Lee (Bruce’s daughter) and Sharon Lee (no relation) on his life and philosophy. Well today, I would like to recommend listening to another episode from the podcast; the episode being the one released this week: Episode #64 A Population of Misfits. Continue reading
There is no one true “master” at writing, for it is a practice where one is, or at least should be, constantly learning, growing, and improving. One way of doing so is by testing the boundaries and see if you’re able to overcome them, as a mental and creative exercise for yourself. In other words, writing outside of your element is a key methodology to becoming stronger and better as a writer.
What do I mean by writing outside of your element exactly? Well, in my mind, this can be interpreted in several ways. Continue reading
“Lauren, your writing made me cry!”
This is a comment I’ve received a number of times with the writing I’ve done within the past five years. That’s not to say that it happens a lot. It’s just that at the times where that has happened, it sticks with me. Continue reading
“Stories High XVII” is currently playing at San Francisco’s Bindlestiff Studio. This annual showcase brings together the talents of the hard work of everyone who had participated in the series of writing, acting, and directing workshops leading up to this creative collaboration. Six one-act plays are featured in this year’s rendition, and I’m happy to say that for the very first time, I am the writer for one of them: “Common Ground.”
As I mentioned when I first announced that this would be happening, “Stories High” was the very first show I saw at Bindlestiff Studio. To have a play featured in it this year is not only an honor, but it’s also a full circle coming into fruition. While I will have seen the show by the time this blog post is published, at the time of writing, I’ve yet to see “Common Ground” in its fully developed form. Despite that, similar to when I provided commentary on my writing for “The Geek Show,” today I want to go in depth on the conceptualization and development that went into writing “Common Ground.” Continue reading
If there’s one thing that I didn’t expect going into this year is that I would begin to broaden my scope as a storyteller and as a writer, as I’ve merged into the world of script writing. While it hasn’t been a whole lot, it’s at a scale already where what I write in that medium is already seeing results. I’ve done some occasional script writing growing up, and up until this year, the most recent credit to my name without ever having to lift a finger was an adaptation a family friend did of one of my chapters from A Moment’s Worth. This is a path that I’ve had every intent on taking down the line, and I’m so glad I’m already getting on that. Continue reading