A year ago, I blogged the day before last year’s Academy Awards, in speculation of what’s to come from that year’s ceremony. This time around, I’m coming to you nearly a week after this year’s ceremony, and I feel surprisingly rejuvenated from both that and some recent events in my life and beyond. Continue reading “A Time for Filmmaking”
The nominations for the 92nd Academy Awards were announced earlier this week, and I’ll be frank when I say that a number of the people and films whose names are on the list this year I’m both disappointed about and don’t really care for either. One of those films is “Marriage Story;” a film that I, surprisingly, have seen. But ever since “The Rise of Skywalker,” I now see Adam Driver in a new light, which led me to watching this now Oscar-nominated film.
Overall, I’m indifferent about it, and yet within that span of time, I somehow came across the title of another film Driver did a few years ago called “Paterson.” Intrigued by the trailer, I decided to check it out from the library. I’ve since watched it twice and now, I want to make it the first featured material for Recommended Analyzing for the year. Continue reading “An Exploration of Thought and Poetry: Recommended Viewing”
It happened again this week. I mean, I guess it would make sense for why I’ve been asked about this more than once by now. When your day job oversees funding, distributing, and occasionally producing films (and a film festival), I can see how it would only be natural one would ask if you have any filmmaking aspirations of your own. So when a visitor asked if I am a filmmaker, I said no, but I did say that I am a screenwriter. He argued in saying that a screenwriter is a type of a filmmaker. But is it? Continue reading “Thoughts About Identifying as a Filmmaker”
Every now and then, I expand my dialogue about storytelling by going beyond the boundaries of books and out into the mediums of TV and film. I do so by doing these analysis pieces once in a while about a TV show or film that has reached a significant time in its history (i.e. series premiere, series finale, film release, anniversary of a release, etc.). Previously, I shared my thoughts about the beloved Studio Ghibli film, “Kiki’s Delivery Service.” Today, to commemorate the final entry into the Skywalker saga, I shall discuss my latest takeaways from this beloved space opera, “Star Wars.“
WARNING: There will be SPOILERS from “The Rise of Skywalker.” Stop reading now if you haven’t seen the film yet and do not want it spoiled for you. Continue reading “Legacies, Individuality, and Hope: About “Star Wars””
Doug Jung’s Screenwriting Debut Will Be Available on Disney+ – For The Nerds of Color, I dive into an early work from this “Star Trek” screenwriter, ahead of its availability on Disney’s new streaming service.
‘Jojo Rabbit’ Sends a Timely Message via Satire, Fascism, and War – For The Nerds of Color, I provide my non-spoilery thoughts about the latest feature film from director Taika Waititi.
Review of From Rufio to Zuko by Dante Basco – For Goodreads, I give my input on this informative memoir from someone who’s seen and done a lot in the entertainment industry for over three decades.
The Director and Producer of Pixar’s “Float” Discuss Filipino American Representation and Bringing a Personal Story to Life – For the Center for Asian American Media, I go behind-the-scenes of this groundbreaking short film from Pixar Animation Studio by talking to two of the people that made it what it is today.
Review of Cyber Shogun Revolution by Peter Tieryas – For Goodreads, ahead of its 2020 release, I give a rundown on what I make of this latest entry into the United States of Japan series.
About Tita | TFAL Podcast – Over two years after its initial release, an audio essay I did for the This Filipino American Life podcast is now available on their YouTube channel.
In the midst of Disney+ taking over everyone’s lives (and time), today I want to take some time to shed light on and recommend a short film that just came out this week, and not from the House of Mouse. It’s a touching film from a creative force I have hailed multiple times in my little corner of the Internet: Wong Fu Productions. For Recommended Analyzing, today I am recommending their latest short film, “A Difference Between.” Continue reading “A Love Letter to the Hard-Working Millennial: Recommended Viewing”
Actor Will Yun Lee Has Been Making Strides in Hollywood For Two Decades – For the Center for Asian American Media, I spoke with the “Good Doctor”/”Altered Carbon” star on his journey as an Asian American actor in Hollywood.
‘Abominable’ Brings All the Charm in This Magical, Heartfelt Adventure – For The Nerds of Color, I give a spoiler-free overview of my thoughts from watching this upcoming Dreamworks and Pearl Studio co-production.
Review of Anime Supremacy by Mizuki Tsujimura – For Goodreads, I go over my thoughts on this dynamic novel that gives a glimpse at the chaotic anime industry.
Review of Frankly in Love by David Yoon – For Goodreads, I discuss my thoughts about this heartfelt, YA romance debut novel.
How Disney’s ‘So Weird’ Deepened My Connection to My Filipino Side – For The Nerds of Color, I dive into how this 90’s Disney Channel series has had an unexpected effect on me this past year.
Review of Stargirl by Jerry Spinelli – For Goodreads, I give my latest impressions on a novel I grew up with, ahead of the film adaptation’s release.
Christopher Sean Talks About Being the First Asian American Lead of “Star Wars” – For the Center for Asian American Media, I dive into this overlooked first for the “Star Wars” universe, as I speak with the lead actor of “Star Wars Resistance.”
Critics are calling “Abominable” “absolutely gorgeous” – My review of “Abominable” was quoted by Dreamworks Animation for promo leading up to the film’s release.
I am a big fan of storytelling, and within the last five years, I’ve gotten to experience it in many forms – mostly in writing. However, last year I took a big step in seeing how far my bandwidth can go when I got involved in the making of two feature films. For one of them, I was a background actor, otherwise commonly known as an extra, for an independent film called “Freshman Year.”
So this news is a little over a week old, but for the sake of its context, it’s something I wanted to dive into and dissect, while providing my personal take on it. After all, one of my long-term goals is to become a professional screenwriter myself, much like the bad-ass that is screenwriter Adele Lim. Continue reading “The One About Screenwriter Adele Lim”