Television and movies; both do the exact same thing as books- storytelling- but in a different way. As of this year, I’ve expanded my blog to exploring the storytelling in these respective mediums periodically. Whether it be on the day of a significant anniversary since the release of a television series, or in honor of the release of a much anticipated film, I do my best in expressing my thoughts in not only the overall content, but in particular, the storytelling and the themes intertwined into the text. Previously, I explored the world of “Tomorrowland.” Today, I bring you my thoughts on the latest Disney/Pixar creation, “Inside Out.” Continue reading “From the Mind to Real Life: Going Inside “Inside Out””
Storytelling isn’t just devoted to the limitations of words found in a book; it also extends out to television and movies too. These past few months, I’ve been opening up my blog more to periodically exploring storytelling in these other mediums. Officially, the last post devoted under this topic was my write-up I did on “Doctor Who,” in honor of its 10th anniversary since returning to television. Unofficially, I devoted part of a blog post I did earlier this month to such subject matter when I discussed exploring my heritage through storytelling. Now I present to you my first post devoted to a movie; that movie being the recently released film to come out of Walt Disney Studios, “Tomorrowland.”
(I think this is definitely a first, where I purposely retract something I previously said on my blog. However, in my mind, I consider that to be quite alright and normal, for that just shows I’m growing and evolving as a person and a thinker.)
About a year ago, I made my argument regarding how reading too much young adult fiction post-adolescence can be worrisome, in response to an article author John Green had written for the Cosmopolitan. Ultimately, it led to me saying that my first novel, A Moment’s Worth, would considerably be a young adult novel despite it all, even though none of the characters are within range of being in high school, let alone the themes and subject matter as well. Not to mention that since I had said that the youngest appropriate age to read my book would be 16- an opinion I still stick by to this day- it’s since bothered me why I called my novel YA in the first place.
It’s with that that I’d like to take this time and retract that statement, which also brings me to my subject for this week’s post. While A Moment’s Worth may infuse contemporary, fantasy, and science fiction into one cohesive piece, age range-wise, I do not consider it to be a young adult novel. If anything, I would consider A Moment’s Worth to be a new adult novel. Continue reading “Thoughts About New Adult Fiction”
It’s May now, which means it is now Asian American and Pacific Islander Heritage Month; a month devoted to acknowledge and honor the people, culture, and history of such backgrounds. Programs and celebrations are scheduled to take place and stories shall be exchanged. There’s a certain empowering tone that comes with a month that acknowledges the heritage of people who are just starting to be heard and represented a little better by the mainstream media; whether that be in the form of books, movies or television. In my case scenario, this month serves as a time for me to take a look at my role in it all; not only as amongst the growing number of Asian American female authors out there, but also in terms of looking through the lenses of being Hapa (an individual of part Asian descent).
Today is the first day of the Los Angeles Asian Pacific Film Festival and for their opening night feature, they shall be screening the world premiere of the first feature-length film from Wong Fu Productions; “Everything Before Us.”
In a world where all relationship activity is documented by a DMV-style agency called the Department of Emotional Integrity, two couples must deal with their conflicts and differences under their surveillance; a young high school couple who are about to attend separate colleges, and an older, former couple who must come together to settle a score from their previous relationship.
Here’s the trailer for “Everything Before Us”:
Originally I wasn’t planning to write anything about this TV show, despite the anniversary it’s celebrating today. But after thinking it over, I realized just how wrong it would be to not write at least something about it. I continue my series of analyses of storytelling in mediums beyond the forum of books, and while it’s been a mere five days since I did my previous entry in honor of the ending of “Glee,” today I wanted to touch briefly upon the phenomenal sci-fi series from BBC that’s celebrating a decade since its return to the airwaves. The show that I’m talking about, of course, is “Doctor Who.”
As of last month, I decided to open my blog up more to the exploration behind storytelling of different mediums other than books. From television to movies, there are just so many of them out there that are changing the game in a lot of ways regarding how certain stories are told, and to not talk about some of them here on this blog, I find to be a little odd, especially given my circumstances as someone who studied media in college. Previously I discussed my thoughts about “Avatar: The Last Airbender,” in honor of its 10th anniversary. Now, the morning following its series finale, I want to dwell in on a television show that I’ve not only had a love-hate relationship with, but that has also drastically changed the television landscape in more ways than one in its six years on the air. This is my two cents on the newly concluded FOX series, “Glee.”
As of recently, I’ve become more open to blogging about storytelling on other mediums besides books. I feel that the more I talk about other stories that are being told in ways beyond the written word, I think it will make for a better attempt at engaging dialogue about such narratives and also to aid myself in becoming more well-rounded in that. My first venture out into doing so- on the television landscape- was when I provided my feedback on “Fresh Off the Boat” the weekend following its premiere. Now, in celebration of the decade since its premiere, I shall devote this post to my thoughts about one of my all-time favorite television series: “Avatar: The Last Airbender.”
Happy Valentine’s Day everyone!
Yes, it’s that time of the year where it serves as the ultimate field day(s) for Hallmark, flower shops and jewelry stores all over the place. I was at my local Safeway just yesterday where I saw heart-shaped balloons beyond the size of my head, looming overhead. A few days ago, my high school-aged brother recounted on how a couple of his friends are freaking out over what to give the girls they have their eyes on for Valentine’s Day, acting as if they’re planning to propose to them instead. One could call it commercialism at its finest, whereas a communication scholar could call it somewhere along the lines of “hegemonic romance” (and yes, I just made up that term).
Because at the end of the day, that’s what it’s all about, right? It’s about showing your loved one- in particular, those who are in a romantic relationship of a sort- how much you love and care for them. Not that it can’t be done any other day, but this day in particular is just all about that.
In the months leading up to its premiere, there have been thought pieces written, regarding what this show could mean for the future of the media landscape (in particular, in diversifying it) and now that the first two episodes have aired, even more thought pieces- and of course, reviews- are pouring in. Many news sources and media outlets have had something to say about it; from NPR and the New York Times, to Angry Asian Man and Hyphen Magazine. My Facebook and Twitter feeds flooded in with numerous posts Wednesday night regarding viewing parties taking place in New York and Los Angeles, as well as from people I know who watched it from the comfort of their own homes. There’s been much to say about it- some good, some bad- and before the next two episodes air this Tuesday, I wanted to go ahead and present my two cents on ABC’s newest series, “Fresh off the Boat.”