Director Alice Wu and Actor Leah Lewis on the Whole Story of Making “The Half of It” – For the Center for Asian American Media, I give a glimpse at the making of Alice Wu’s first film since “Saving Face” and how the lead actor landed and approached the project. Continue reading “What Did I Miss?: May 2020”
It’s been over two years since I last addressed this topic, and yet it feels like there has been enough change in the times for me to talk about it once more.
The last time I wrote about my constantly growing collection of journals, it was through the lens of writing about the day-to-day during a crazy political climate. While that much is still very much true now, obviously the circumstances have altered quite a bit. Over 18 years after I started actively keeping a journal, I now find myself writing through a global pandemic. Continue reading “About the Journals Pt. III”
When was the last time I did a spotlight on two major announcements for my weekly Saturday blog post? That would have to be back at the beginning of August 2018 a.k.a. “simpler times.” To think that I would have some big announcements to make in the midst of a pandemic might sound kind of odd, and yet that’s exactly what is happening today. So here it goes: Continue reading “A Film Festival Screening and A Zoom Play”
A few months ago, I read the latest novel from the thoughtful sci-fi author Mike Chen, A Beginning at the End. I won’t go into too much detail about it, but if I were to describe it in a very brief synopsis, it follows three adults from different paths of life and how they all find themselves coming together, in the aftermath of – wait for it it – a global pandemic. Continue reading “Thoughts About Fiction in the Time of COVID-19”
Every time I think I’m going to do more interviews in this corner of the Internet, it doesn’t pan out into fruition. I’ve come to accept that that’s okay, for this is really a space for me to speak. However, that doesn’t mean I’m going to forfeit interviews completely, and I definitely have quite a conversation to share today. In the midst of COVID-19 altering life as we know it and finding ways to pass the time until these shelter-in-place orders are lifted, I figured that now is the best time to reach out and speak with an author whose books I grew up reading: Jerry Spinelli. Continue reading “In Conversation with Jerry Spinelli about the Journey of “Stargirl””
Within recent years, I’ve begun acting on another goal of mine as a writer, which is the goal of becoming a screenwriter. Since then, I’ve done quite a bit of it; from spec scripts to my first feature-length screenplay. However, so far, none of this body of writing has materialized into being something that can be experienced onscreen.
Well, that all changes today. In collaboration with Asiatic Productions, I am please to announce that my first screenplay to have been successfully produced as a film, “Breath of Writing,” is now available for viewing.
Continue reading “Screenwriter’s Commentary: “Breath of Writing””
Review of A Beginning of the End by Mike Chen – For Goodreads, I provide my take on the sophomore novel of one of the most thoughtful science fiction authors of the present day.
CAAMFest Alum Cathy Yan on the Fantabulous Experience of Directing “Birds of Prey” – For the Center for Asian American Media, I interview this director-to-watch on the making of the latest entry into the DC Extended Universe.
Christina Hodson on Writing the Diverse, Girl Gang Story of “Birds of Prey” – For the Center for Asian American Media, I converse with the woman behind the writing of the story for this latest entry into the DC Extended Universe.
The Missing Episodes of Disney’s ‘Andi Mack’ – For The Nerds of Color, I dive into this oversight on Disney+ in the three months since its launch, and how a recent push for change can inspire a potential, similar outcome.
Review of For Your Consideration: Keanu Reeves by Larissa Zageris and Kitty Curran – For Goodreads, I give a glimpse of my impressions on this surprisingly humorous series of essays about the most un-Hollywood of Hollywood stars.
Breath of Writing (VIVID: Lauren Lola) – In my screenwriting debut and in collaboration with Asiatic Productions, the film explores the struggles I endure on a daily basis as a writer and why I choose to keep going anyway.
I believe in the past on this blog, I’ve talked plenty of times about life imitating art. More often than not, it’s particularly eerie when you’re a sci-fi writer, whose story is set in a fictional future, and then events in real life begin to bear some level of resemblance to ideas and occurrences you had initially constructed in your mind. Continue reading “Art Imitating Life”
It happened again this week. I mean, I guess it would make sense for why I’ve been asked about this more than once by now. When your day job oversees funding, distributing, and occasionally producing films (and a film festival), I can see how it would only be natural one would ask if you have any filmmaking aspirations of your own. So when a visitor asked if I am a filmmaker, I said no, but I did say that I am a screenwriter. He argued in saying that a screenwriter is a type of a filmmaker. But is it? Continue reading “Thoughts About Identifying as a Filmmaker”
Another year has come and gone by on a whim, and here I am once more, looking back on the past eleven months of writing on this blog, on other spaces of the Internet, and beyond. Although this will be a reflection on the year, I sense a weight to it that hasn’t been there the previous times I’ve done one of these, likely because this is the last retrospect for the decade. Continue reading “6 Years of Lola By the Bay and My 2019 Year in Review”